Auditions
General Audition Information
Interested in performing on stage with Way Way Off-Broadway? Auditions are held prior to each show that WWOB produces, and is open for anyone to try out. Previous performing experience is not required, all we ask is that you are willing to dedicate the considerable time and effort it takes for rehearsals and performances, so that we can put on the very best show that we can. DISCLAIMER: With so many talented people auditioning for our shows, our Production Teams are faced with the difficult task of casting a show with the right people. Regardless of any previous conversations with, or comments from, members of the Production Team, everyone must participate in the audition process, and no one is assigned a role until auditions are complete. Occasionally, certain roles or productions will be assigned prior to or without holding open auditions; however, this will not occur unless specifically announced by WWOB.
The Audition Process
Your audition process will begin with you singing a song of your choosing with an accompanying track (played from your phone or USB device). For some productions you may also be asked to participate in a brief dance routine as part of your audition process (nothing will be too difficult and previous experience is not necessary). Typically, these initial auditions take place over two days.
For non-musical productions, a different audition process will be used. Typically, those interested in auditioning will read for the roles they are audition for at their initial audition, and may be asked to read additional roles by the audition team. A callback audition may also take place, as described below. Specific audition information will be listed in the show information below.
At the conclusion of the initial auditions, some auditionees will be asked to come back for a Callback Audition, where you may be assigned to sing songs or read lines from the actual show. Once callbacks are completed, the production team will cast the show. It’s worth noting that being asked to participate in callbacks does not guarantee a spot on the final cast list, and final casting decisions are ultimately the responsibility of the production’s director and company Artistic Director.
PLEASE NOTE: Auditionees may fill out and submit their audition form ahead of their audition by downloading the form HERE. Completed forms may be emailed to wwobtheatre@gmail.com.
Disney’s FROZEN The Musical
August 17-18, 2026
Auditions 7:00 pm – 9:00 pm
You only need to attend one of these audition dates.
Please note – the gender, age and vocal range indications refer to the CHARACTER, not the PERFORMER. Therefore, if a performer appears to be in the age range, can convincingly portray the gender of the character, and meet the vocal requirements of the character, they may be considered for a character regardless of their age or gender.
Character Breakdown
Elsa – Next in line to become the new Queen of Arendelle. Born with magical powers that she struggles to control, Elsa’s fear of hurting others pushes her to hide from the world and distance herself from the people she loves most. Underneath all of the fear is a strong, determined leader, waiting for just enough warmth to step out of hiding and take her rightful place on the throne. Vocally a strong musical theatre belter with soprano/mix.
Gender: Female
Vocal range top: Eb5
Vocal range bottom: E3
Anna – Elsa’s sister, the optimistic, enthusiastic, and slightly disheveled Princess of Arendelle. Spunky, joyful, and charming, Anna defies social decorum and rules in favor of spreading her optimism and light throughout the Kingdom. She loves easily, but feels the rejection of her only sister deeply. She might not have the magical powers that Elsa wields, but her inner strength and resolve is equally fierce. Vocally a strong musical theatre belter with soprano/mix. Gender: Female
Vocal range top: E5
Vocal range bottom: G3
Kristoff – His sarcastic exterior hides a man with a big heart and a solid sense of right and wrong. Although he is a bit of a loner, Kristoff has developed a personal relationship with his reindeer, Sven, who has been known to intervene when Kristoff’s stubbornness gets in the way of his best interests. Kirstoff was raised by the Hidden Folk, so he doesn’t always know the rules of polite society, and doesn’t really care to learn. Gender: Male
Vocal range top: Bb4
Vocal range bottom: A2
Hans – Prince of the Southern Isles and youngest of thirteen brothers; charming and ambitious. Hans is always on the lookout for opportunities to make a name for himself. He is charming, handsome, and extremely good at reading people – all of which he uses to achieve his own personal goals. Gender: Male
Vocal range top: A4
Vocal range bottom: A2
Olaf – Magical snowman with a childlike innocence. Olaf is a loyal friend who loves summer…and warm hugs. He is joy, personified, and although he might not seem like the brightest toy in the toybox, he usually manages to be the most observant and insightful being in the room! Great singer with comedic timing! Gender: Any
“In Summer” (Tenor Key): B2 – Bb4
“In Summer” (Alto Key): E3 – Eb5
Vocal range top: Eb5
Vocal range bottom: E3
Sven – Kristoff’s fiercely loyal reindeer best friend. Actors should have strong upper body and core strength and stamina to operate a full body puppet
Oaken – Amiable salesperson and relentless advocate of hygge; cheerful and jolly. A good natured salesperson, true Hugge believer, and head of a very large family! Sings the big Act Two opening number with joyful abandon! Gender: Male
Vocal range top: Bb4
Vocal range bottom: A2
Weselton – Weasleton? No Westleton! A Duke with a clear inferiority complex and the desire to climb the social ladder using whatever means are available to him. A comedic role for an actor with excellent comic timing. Gender: Male
Vocal range top: A4
Vocal range bottom: F3
Young Anna – Younger princess of Arendelle with youthful exuberance; fun-loving troublemaker; mesmerized by her sister’s magic. Age 8 to 10 years old. Gender: Female
Vocal range top: E5
Vocal range bottom: Bb3
Young Elsa – Elder princess of Arendelle with magical powers; obedient daughter; protective sister. Age 11 to 13 years old. Gender: Female
Vocal range top: E5
Vocal range bottom: A3
Queen Iduna – Queen of Arendelle and child of the Northhuldra; strong and compassionate mother. She loves her daughters and kingdom and will risk everything to keep her children safe. Gender: Female
Vocal range top: E5
Vocal range bottom: F3
King Agnarr – King of Arendelle; warm-hearted and protective father. Will risk everything to keep his children and people safe. Gender: Male
Vocal range top: C4
Vocal range bottom: B2
Pabbie – Mystical shaman and patriarch of the Hidden Folk; Kristoff’s wise adoptive father. Wields magical powers and recognizes magic in others. Loves Kristoff, and has a connection with the royal family of Arendelle, but chooses to live in a magical “in between” land outside the reach of humans. This role sings in a Baritone range. Gender: Male
Vocal range top: Gb4
Vocal range bottom: Ab2
Bulda – The matriarch of the Hidden Folk. Wields magical powers and recognizes magic in others. Loves Kristoff, and has a connection with the royal family of Arendelle, but chooses to live in a magical “in between” land outside the reach of humans. This role sings in a Mezzo-Soprano range. Spiritual matriarch of the Hidden Folk; Kristoff’s nurturing and vibrant adoptive mother. Gender: Female
Vocal range top: D5
Vocal range bottom: Bb3
Ensemble – The Ensemble includes the following roles: Towns-people, Staff, Guards, Hidden Folk, Oaken’s Family and Friends, Volunteers, Bishop, Handmaiden, Lackeys, and others.
